We zoomed out to Picture Gorge extra early today, hoping to catch the shadows and avoid the heat.
We were carrying the large canvases in the carrier Neighbor Jim made for me; the carrier protects the car from oil paint, and me from sorrowful looks by Jer, who loves his 1994 Honda and can’t bear the thought of it sullied with, gasp, paint:
The carrier is to the right with the canvases facing inward. The slatted piece sits on top the carrier, acting as a lid so the canvases don’t get holes poked in them. The white rectangle (bottom center-left) is the box for the 18 x 24″ boards. My usual small boards (12 x 16″) fit into the smaller boxes beside the white one.
At Picture Gorge, I set up the canvas, this time using an extension cord instead of my belt to secure the canvas to the easel. The cord was long enough to go around the fence against which I lodged the easel, so the canvas and I were secure against the wind gusts that come through the gorge early in the day.
Draft one of the big canvas (30 x 40â€ť) was basically just about getting the composition and large planes (forms/shapes) onto the canvas. So this is where I started this morning.
Picture Gorge, 2011, Draft 1, 30 x 40″, oil on canvas
I worked over the canvas for about 3 hours, then we loaded up and went off to visit a friend whose acquaintance dated from my 2006 residency at the Fossil Beds. True to form, Alicia fed us, gave the tired artist (me, me) a beer, showed us the glorious spread (200 acres) that she and her husband bought a few years ago and generally made us feel very welcome. About 2:30, we trundled back to Mitchell.
I unloaded the car and carrier, and brought the big painting to the porch to join the two smaller ones:
The three paintings that I’ve been working on are perched here on the front porch of Hollyhock Cottage. You can see their relative sizes. None is as small as my usual “vignette” plein air work.
Here’s what evolved from today’s session:
Picture Gorge, 2011, Draft 2. 30×40″, oil on canvas.
It still needs work — I ignored the sky after yesterday’s laying on of a single ultramarine layer, so it needs some white+pigmentÂ paint; I also need to bring out the highlights on the columns, work up the grasses and sage brush, and fracture and facet the columns a bit more.Â I was thinking about collaging natural foliage forms over the top, but since I have another large canvas with me, perhaps I’ll just finish this as is (probably another 3â€”5 hours of work), leaving it as a â€śstraightâ€ť landscape. Then I’ll do a new loose version, layered with the local fall foliage.Â But that decision can wait until I have a fresh eye â€“ or 2015 — whichever comes first.
Of course, I also have the first two canvases to work on. So tomorrow we will stay in Mitchell, I’ll eat bon-bons (or Peets chocolate blueberries), sit on the porch, commune with nature, and paint.
So think of me on Sunday afternoon, slaving away, surrounded by lush green growing things, with the usual questions of paint and form and hue and temperature circling around my head.Â –June